FIFA president Gianni Infantino feels equal pay at the Men’s and Women’s World Cups would only be a “symbol” that would not “solve anything” if additional development targets for the women’s game are not achieved.

On Sunday, England will play Spain in the final for their share of an increased prize pot of 110 million US dollars (£86.1m) for this tournament, more than three times than what was on offer for the 2019 Women’s World Cup in France, but still significantly less than the 440 million USD (£346m) awarded at the 2022 men’s competition in Qatar.

Infantino has previously outlined ambitions for prize parity by the 2026 and 2027 World Cups but two days before the conclusion of the ninth edition of the women’s showpiece, challenged stakeholders to do more.

Infantino said: “Let’s really go for a full equality. Not just equal pay in the World Cup, which is a slogan that comes up every now and then. Equal pay in the World Cup, we are going in that direction already.

“But that would not solve anything. It might be a symbol but it would not solve anything, because it’s one month every four years and it’s a few players out of the thousands and thousands of players. We need to keep the momentum. We need to push it. We need to go for equality but we have to do it for real.”

Two months before the tournament, Infantino threatened that he may be “forced not to broadcast” the World Cup in Europe’s ‘big five’ countries following what he felt were “very disappointing and simply not acceptable” offers from broadcasters, though deals were eventually done.

Viewing figures have broken records in Australia, where a peak 11.5 million people – about 46 per cent of the population – tuned in to watch the Matildas play England in their semi-final, the country’s most-watched television programme of any kind since 2001 when the existing rating system was established.

Back at home, the 7.3 million people who viewed the same contest on BBC One comprised the biggest UK audience of the World Cup so far, and on Friday Infantino reiterated his view that broadcasters have a part to play in the prize parity target.

The 2023 tournament was expanded to 32 teams, and is also the first time the competition has been hosted by more than one country.

Infantino said: “Some voices were raised, where it cost too much, we don’t make enough revenues, we will have to subsidise.

“And our opinion was, well if we have to subsidise, we will subsidise, because we have to do that.

“But actually, this World Cup generated over 570 million US dollars in revenues, and so we broke even. We didn’t lose any money and we generated the second highest income of any sport, besides of course the men’s World Cup, at a global stage. More than half a billion (in revenues).”

The decision to include more teams initially drew scepticism that it would only highlight the disparity between lower-ranked teams and heavily-resourced nations at the top of the table.

Instead, this has been one of the most competitive finals on record, guaranteed a new champion after 2011 champions Japan were eliminated at the quarter-final stage, one round after double-defending title holders the United States were sent packing in the last-16.

World number four England managed just one goal against tournament debutants Haiti, 49 places below them in FIFA’s world rankings, while fellow debutants Morocco advanced to the last-16 alongside Jamaica, who were knocked out in the group stage in their only other appearance in a final.

Three top-10 sides in Germany, Canada and Brazil were eliminated in the group stage, while England’s quarter-final opponents Colombia advanced to the last eight for the first time.

And while breakout performances at this World Cup could lead some players to more lucrative contracts in places like Europe and the United States, FIFA’s most recent benchmarking report revealed the average league and club salaries for women worldwide was just 14,000 dollars (£11,000).

Infantino demanded: “Football in general, in all the leagues and all the competitions, pay a fair price. Show that you respect women and women’s sport. You will see the feedback that will be absolutely fantastic.

“We need to have more local competitions, more continental competitions, more international competitions because when you see some of the beautiful, stories that were written at this World Cup.

“We need to create the conditions in the next four years for them to able to play at professional level at home. This is the biggest challenge we have to take onboard.”

Equality will bid for a hat-trick when he takes a shot at the King George Qatar Stakes during the Qatar Goodwood Festival.

Owned by Kennet Valley Thoroughbreds, the five-year-old speedster dropped back to handicap company when scoring at Windsor on his penultimate start, before adding to his tally at Sandown in the Group Three Coral Charge

Connections were thrilled to get that first Group race victory under his belt at the Esher track and Equality will now head to the Sussex Downs for a contest handler Charlie Hills has won five times in the last six years thanks to Battaash (2017-2020) and Khaadem (2022).

“It’s really exciting and he was fantastic at Sandown,” said Sam Hoskins, racing manager for the owners.

“We kind of felt he had unfinished business at Group level and obviously there wasn’t much choice after his run at Windsor because he was up to a mark of 108.

“After Haydock earlier in the season our confidence was a bit dented, but the handicapper was good and let us drop back into handicap company and luckily he ran the same race as he did at Windsor at Sandown.”

He went on: “The plan is to go for the King George at Goodwood with him.

“He’s got a very high cruising speed and he should really enjoy a race like that, it’s really exciting.

“It’s going to be a hot race, Highfield Princess is probably going and a lot of other good sprinters will be heading there. It will be a red-hot affair”

There is further interest in the race for Hoskins in the form of Clive Cox’s Get Ahead, who also has the Group Two event in her sights.

Owned by Hot To Trot racing, for whom Hoskins also acts as racing manager, the four-year-old filly has enjoyed a fine season, scoring in the Cecil Frail at Haydock before being narrowly denied at Chantilly in the Prix du Gros-Chene.

She finished three lengths behind Equality when last seen in the Coral Charge, but Goodwood is poised to prove a more suitable venue for the daughter of Showcasing.

“She’s a cracking filly and things just didn’t go her way at Sandown,” continued Hoskins.

“She wants top of the ground and she is really interesting for Goodwood as she won over course and distance there last year beating Silky Wilkie.

“She has progressed again this season and will have a big each-way chance there hopefully.”

He added: “Both horses have had this as their aim and at the beginning of the season we thought if things go well and they progress as we hoped they might do, this is the race for them.

“They are not too dissimilar horses despite one being a gelding and one being a filly, and they are both horses with very high cruising speeds. You could run both of them over four furlongs if there was a race at that distance. It’s really exciting.”